Friday, March 8, 2013

Blog Tours, and How to Screw Them Up

I've been indie publishing my novels for just over a year now and have had a crash course in how to do my own publicity (that was my motivation for going indie with one of my pen names, to learn how to do this.) Now, I have *not* made every mistake I'll touch on below, though I have made a few. To get a really good list of mistakes, I'm going to rely on a book blogger, my friend Ritesh Kala, who blogs from Mumbai, India and has done some truly fantastic reviews. Last year Ritesh had his fill of poor behavior by authors and wrote I Am a Blogger..., part 1. As you can tell from that title, it's a series of posts, but they're each worth focusing on individually - and this'll fill my agenda for blogging her on the Cove for a little while. I'm going to summarize Ritesh's issues in each one and give my own ideas for how to avoid these mistakes. By all means, click over and read Ritesh's post either now or after you read the rest of mine. He tells you what not to do, I'll explain what to do.

By way of introduction for any author who hasn't worked with book bloggers, this is one way to build publicity. When you've got some income, you can hire a blog tour operator to set up reviews and promos on book blogs for you, but when you're starting out, you might want to do all this on your own. I spent my entire first year as an indie author on a constant blog tour, querying every book review blog I could find. One of them was Ritesh's, and he reviewed my chick lit even though he'd never read one before and his review is the top rated one on Amazon for the book. He knows a thing or two about how to be a good blogger, and here's what he and others have taught me about being a good blog tourer.

I'll copy the outline of his post, using the same points:

1) Read the Review Policy. Sounds straightforward enough, so what could I possibly add to such clear advice? I've got two things:
a) Dig for that review policy. Whenever you click on a book blog, it may or may not have a tab labeled "review policy." Sometimes it's in the "contact" tab or the "about me" tab. Not all book bloggers post a review policy, but if they have, you better have read it. Take the time to make sure. 
b) You can break their policy but you must pay the price, and that price is an apology up front and a really good excuse. i.e. "I notice you don't normally review indie books, but you asked me about my books at that party we were at last night, so here's a synopsis and links for you." Emphasis on a good excuse. "My book is just so awesome, you'll want to read it anyway" is not a good excuse.

2) Draft Personal Review Requests. When you query a lot of book blogs, you will develop a one size fits most form, but you *must* personalize it. Ritesh has a hilarious but embarrassing example of a query he got once. Now, obviously, don't do what that writer did. Here's what I would also add:
a) Find the blogger's name if at all possible, and really dig for it. This can be hard, it may be in the "About Me" section, it may be in the "Contact" section, it may be on their Twitter account, their Pinterest account, their FB page, or their Blogger profile. Only open with generic, "Hello!" or "Dear Blogger" if it's *abundantly* clear that this person is staying anonymous on purpose. Absolutely the number one most important thing. 
b) Include every piece of information they ask for. Follow guidance in the review policy to the letter. Book bloggers get a lot of requests and can afford to throw every non-conforming one straight into the trash, so they mostly do.

3) Don't Attach Your Book to the Review Request. Now, I know one fairly big name book blogger who advises the opposite, to always attach your books, so I do that whenever I query him. I've found, for what it's worth, that "don't" is the more prevalent rule of thumb. While for some it's a convenience to have it right there with the query, most consider it presumptuous and it'll earn you a black mark.

4) Don't Assume Your Book Is the Best Thing Since Sliced Cheese. Or as we say in the U.S., since sliced bread. The gist of this one is, don't be arrogant. Don't bother with pointless hyperbole about how great you are. In order to sell a book, you need to find *your* readers, not jam the the book down the throat of every reader. Absolutely no one writes books with universal appeal, so bear in mind when you're querying that you're trying to assess, along with the book blogger, whether or not you're a good match for each other. Explain the premise of your book and the approach you took to it, and if they aren't interested, that is not necessarily a bad thing. You don't want to collect negative reviews from bloggers who aren't interested in the type of thing you write, and any book, with the wrong reader, will get a negative review.

5) Give out Review Copies. Frankly, this one surprised me, that Ritesh would even have to say this. I'll restate what he said, and then add a little more of my own point of view. To restate him: If you're asking for a review, you are offering a free copy of the book to the reviewer. That is how this works, with book bloggers or even with big name reviewers in newspapers and such. Some reviewers only review books they buy, but those don't take requests. Okay, so to add my own points on to that:
a) Don't worry about piracy. Listen, if your book sells, you are going to get pirated and not by book bloggers. Pirates have their own ways of hacking DRM or sneaking books off the gray market. It's one of the facts of the business, so being a jerk to people who offer you a service like a review won't prevent piracy and it'll alienate some of the people who can help you most. 
b) If you aren't willing to be generous, you are thinking too small. I say yes to every giveaway opportunity I'm offered and every book blogger who requests a copy from me gets one promptly. Furthermore, I will provide any format they want, including a paperback. There are some books of mine that, some months, only "sell" paperback copies when I send them to reviewers. In fact, that's one of my top reasons for doing paperbacks, to get into review sites that review those exclusively. All my giveaways are open worldwide on all formats, and yes, this can get expensive sometimes. Mailing out 30 books worldwide for a Goodreads giveaway a couple of months ago cost roughly half the month's revenue, so why would I do that? Because the reading public is far, FAR bigger than you can imagine. A top selling author can move thousands of books a day. It is easier to dream too small than to dream too big. You may not even realize you're doing it, so take a good look at your motivation for limiting your opportunities. My philosophy is grab every opportunity, and if you're worried about things like piracy of the ebooks people win, a simple way to deal with this is to learn how to autograph your own ebooks - just insert your autograph in the ebook file as a graphic. It might still get pirated, but it'll look a little stupid if it's autographed to someone in particular. A person might edit the file and remove the autograph, but anyone willing to do that kind of work for that purpose is going to get your book some way or another. That's an inevitable pirate. You can't avoid those. See my last point.
I highly recommend Ritesh's whole series of posts, beginning with: I'm a Blogger... part 1. In my next few posts here on the Cove, I'll go through the rest of the series, point by point. And authors, please do add tips and tricks you've learned in the comments section below!

Saturday, March 2, 2013

Wisdom from the Tack Board

When I get ready to start a new writing project I like to clean off the tack boards that surround my writing desk. They're covered in layers of drawings, maps, pictures, and note cards scribbled with important plot points, midnight inspirations, and quotes I've collected. Before I clear everything off and file it away I'd like to share a few of the quotes I've accumulated over the past year. For some of these, I know the source. Others I didn't attribute when I jotted them down. Still more are my own summary of something I read or heard. Enjoy!

Audiences know what they expect, and that's all they are prepared to believe in. -Tom Stoppard

I decided I'd do my best in future not to write books just for the money... If I did work that I was proud of and I didn't get the money at least I'd have the work... The things I did because I was excited and wanted to see them exist in reality have never let me down, and I've never regretted the time I spent on any of them.
- Neil Gaiman

Keep Calm and Carry On

Don't Buy the Liverwurst

Real Motivators: Autonomy, Mastery, Making a Contribution

Don't only practice your art, but force your way into its secrets. -Ludvig Van Beethoven

Temple Grandin's Three Principles to Manage Anything: Improve the Environment, Provide Instruction, Monitor and Reward Desired Behaviors.

Middle grade readers want to escape the real world and to understand the real world.

You rarely go to a place that isn't on your map.

Find out what you do best and have the sense to do it. -Paul Darcy Boles

Evil mainly works by getting good people to believe in lies.

We have only just begun to write.




Monday, February 25, 2013

How Do I Cover Thee?

Creating covers for my books makes me crazy.



cra·zy

  [krey-zee] AKA CRAYCRAY, BONKERS, WHACKED
1. mentally deranged
2. totally unsound
3. passionately excited
4. very enamored or infatuated
5. intensely anxious

Yes, all of those.


As an indie author, I love having the freedom to decide my own cover, don't get me wrong. A great cover, or even dreaming of a great cover, can juice my excitement about releasing a new book. And having had a publisher pick a cover I don't like and can't change... that is much worse than any anxiety that goes into making my own covers.  But the anxiety that goes with deciding on a cover artist/approach, the endless looking through stock photos, and struggling with the right concept for the cover can drive me to distraction. This is partly because a cover is tremendously important for book sales, but also partly because being indie means I have to pay for it too.

The balance is tough.

But here are my lessons learned about covers, for what it's worth:

Covers almost always pay for themselves.
A novel NEEDS a good cover to sell. $300-$400 may seem like a lot, but you'll make that back if you sell even 200 ebooks... and if you're not planning on selling that much, you are aiming too low. You don't have control over sales, but if you've got a good product, you're going to sell more than that. And having a good cover is part of having a good product. Where I struggle is with short stories, but my experience (so far) has been that even my short stories will sell enough to justify spending $50-$100 on cover art. Even on a 99cent short, you only have to sell 300 of those to cover art.

My take away: spend the money on art! Stop agonizing over it! (I mostly listen to this.)

Covers must convey genre and concept, not story.
Authors fall down when they try to design a cover that tells the story of their book. That's what the blurb is for! Covers convey genre, set tone, and sell the concept of the story on an emotional level. Reader's responses to covers are almost entirely emotional/instinctual. You have to heed that response, no matter how "accurate" you may think your cover represents what's inside.
This says: Contemporary Romance
This is my friend Leigh's book. It's awesome. Go buy it.

This says: Cool Science Fiction
This is my friend Lee's book. It is also awesome Go buy it.

This is some gorgeous art, and I almost spent a bunch on acquiring it for the cover for my east-indian, steampunk fantasy romance novel. Why didn't I? East-indian? Check! Steampunk? Check! Fantasy Romance... not so much. I was missing a key genre in the cover, so no matter how beautiful (it is! look at it!), I decided I had to pass. 

My take away: Spend time thinking about the concept/genre you're trying to convey with your cover as much as how you would like to portray the story or what stock art/artist/artwork you would like to use for it.

Get A Professional to Help
I try to get my ideas together first for a cover. I look at top 100 bestsellers. I think about concept/genre. I troll stock art sites and download scads of images to peruse. But in the end, I go to my cover designer and ask for help. Creatively collaborating with an artist to bring your vision of a cover to life? That's the part I like! And the cover designer will have fantastic ideas about how to draw the audience into the image itself, how to make it shine, and how to make it look professional.

My take away: having a professional in your corner is also worth the cost.

Trolling stock art sites still gives me a headache. Just sayin...


Susan Kaye Quinn is the author of the bestselling Mindjack Series, which includes three novels, three novellas, and a trailer. She's currently writing a steampunk fantasy romance, just for kicks, but she keeps getting distracted by a future-noir series of novellas that want to be written. Finding covers for an entire series of novellas has pushed her over the edge in the stock-art-looking-department. At which point, she usually goes and plays on Facebook until she feels better.





Thursday, February 21, 2013

The Crucible

...when he hath tried me, I shall come forth as gold.

Harry and Voldy, in the crucible of "the Prophecy"
I've been reading David Farland's e-book "Million Dollar Outlines" lately to review elements of story and the various tools useful to writing fiction.

One area he covers is the crucible; the element of the story that keeps your characters there/involved/together. The thing that answers the question about why they don't just leave or give up when the trouble starts.

In one of my writing projects, this element is a struggle, because the characters have to keep deciding to be involved each day, voluntarily, actively, and their involvement means that bad things keep happening to them. The reader is certainly going to ask: Why would they stay here?

In Dave's book, he uses the example of a man and woman in a bad marriage. Why don't they just get divorced? Marriage is a voluntary arrangement. Of course, we all would come up with his answer: the children. It is believable that they would try to work things out for the sake of the children.

So there must be reasons, good reasons, why our characters keep going, keep on keeping on, even in the face of trial and tribulation.

I did a brainstorming exercise once with Orson Scott Card where we all came up with a lot of answers to the "why?" question, and he kept twisting and turning the answers until we came up with less cliche outcomes. I think this is also important to do with our crucibles.

Maybe the married couple stay together for the children, that's easy. But let's twist that. Perhaps instead it is the stress from the children that is tearing the couple apart. Maybe the children even want the divorce, or say they do. So what then? We get to dig deeper and invent new reasons the couple must stay together. Maybe both husband and wife both had divorced parents and never wanted to become like their parents. Or maybe everyone told the wife she was making a mistake, that the marriage would never last, and she wants desperately to prove everyone wrong. Maybe the husband hates failure and so doesn't want to admit defeat. Maybe one or the other is in politics or business where the image of marriage is important. Whatever we choose, we must have a crucible or we have no story. We must thoroughly answer the reader questions about why our characters are going through the trouble instead of giving up or avoiding it. Otherwise, they just seem like dogged dolts.

So, what are some of your favorite crucibles, either in stories you've written or read?



Write on,
Amber M
http://www.mindsbase.com

Monday, February 18, 2013

Winning Philosophy

I don't mean to bump Amber's post down when it's only been up for a day, but when she posted it we didn't know that she'd won first place in the school age category of the DragonComet short story contest, sponsored by the Life, the Universe, and Everything Symposium.

After we did some happy yelling, I spread the news on facebook (just to Hawaii friends since everyone on the mainland was already asleep) while Amber went back to her room. I found her there a half-hour later, typing away at one of her novels.

"You're writing?" I asked. "You're just calmly sitting there, writing?" Life, the Universe, and Everything is one of the biggest and oldest academic symposiums on Science Fiction and Fantasy in America. Some of our favorite authors were there, and they all heard my daughter's name announced as a first place winner! I was still geeking out.

Amber hunched down in her big, orange writing chair and peeked up at me from behind her computer. "Mom, winning first place doesn't change the story."

Whoa.

She already knew she'd written a great story. It was nice that some other people agreed, but in the end, what mattered most to her was the satisfaction she'd already got from writing that story, and the need to work on her next one.

Now that is a winning philosophy.

Saturday, February 16, 2013

Work and Play

Hi, this is your cabin girl, and I was supposed to post last week...
...But I didn't.
So I'm posting now.

For the past few months, I've been in the unusual position of having two writing projects at the same time that are of equal importance to me. And today I realized a really big difference between them. And it's the difference between work and play.

One of my stories, the one I started first, is kind of a serious fantasy story with well-defined magical rules and intense, complex problems the characters have to overcome. I can't just scribble down scenes in the last fifteen minutes of math class for this story, this is a story that I have to seriously think about, and I need three or four hour long chunks of free time and a computer to make anything happen. I love this story, and every new idea I get for it, even just what my characters are going to talk about during the next scene, excites me.

The other story, the one I didn't start until a few months ago, is more light-hearted and fun, with a magic system I make up as I go, and characters I can't get enough of. I can use two-minute periods to jot down the next few sentences, no matter where I am or what's happening in the story. I've got a general idea of the plot, but when it comes down to  the next scene, I don't know what will happen until I write it. I love this story too, but for different reasons.

The first story feels like hard work and thought exercise, but that doesn't make it any less fun than the second story, which feels like a hobby or a game. And the second story, despite my lack of attention to detail and simple plot, has gotten a lot of positive feedback from my readers.

I think both stories are important for me to write.

People need both work and play. Writing can be either.

Tuesday, February 12, 2013

Full Novel Review



Last year, Kevin and Chersti’s group did a full novel review: http://thescribblerscove.blogspot.com/2012/10/fnr-or-full-novel-review.html

What a great idea!

Our writer's group decided to do it, too. We set a goal to swap novels by January 1st. Honestly, we had no idea how big a whale we set out to eat (think a monster blue whale), but it was worth the effort.

First off, no matter the state our manuscript was in, we submitted on the due-date. Period. Not a day (or year) later.

Second, we each asked the critiquers for specific things we were looking for, like character arcs, plot, flow, etc.

Third, we put simple requirements on the reviewing process:
a)      Read the manuscript fast.
b)      Write a one page review. (Anyone who wanted to do more, could.)

The reviewing process was simple:

1)     Have a moderator.
2)     Review the good things about the story. 
3)     Review the things that needed work.
4)     Open it up for discussion.

Even though it was among friends, it was still a bit unnerving. Several people in the group felt my first hundred pages moved too slowly and didn’t help the plot.

Honesty. True Honesty. It’s a blessing that can hurt.

However, one of the benefits of a group review was it helped weed through the subjectivity and find things collectively-agreed-upon that needed attention. And yeah, even the subjective items were pretty on-target. The first hundred pages that did absolutely nothing for my story? Gone.

However - DISCLAIMER: After receiving a review, always allow yourself time to think it through. Make decisions after your emotions simmer down.

Long story short, I have a nice list of bullet points to work on. I have a growing respect for the power of various perspectives. I’m grateful for the time the others invested in my story, and hope as I review theirs, I use as much tact. (I expected a karate-chop, and all I got was a quick band-aid removal.)




And Kevin, thanks for telling us about it! It’s a great help.